From the Co-Director of Christmas on Mars – It’s Rodeo Time. At the Women’s Prison. Really!
“theatrical release”
Cropsey
A True Crime Story, About Urban Legends, and the Defense of Community “The cinematic version of peeking under the bed and not breathing a sigh of relief.” – John Anderson, The New York Times “… comes on like a true crime caper.” – Eric Hynes, Time Out New York “Beyond-disturbing.” – New York Magazine “The [...]
Here and There
Robert, a jaded middle-aged saxophonist in New York, goes to Serbia to make quick cash by marrying someone for U.S. immigration papers. But the plan goes awry when the promised cash never arrives. At the same time, Branko, a young Serbian immigrant, struggles in a never forgiving New York, desperately trying to reunite with his girlfriend. Cyndi Lauper co-stars.
Serj Tankian – Elect the Dead Symphony
On March 16th, 2009, Serj Tankian, a Grammy Award winner and one of rock’s most unconventional frontmen, took the stage at the majestic Auckland Town Hall in New Zealand with the Auckland Philharmonia Orchestra to perform a very special orchestral interpretation of his critically acclaimed debut solo album Elect the Dead. The dynamic one-off performance was recorded and filmed in HD by six cameras, and the dramatic result has been captured in Elect the Dead Symphony.
Barking Water
Sundance Film Festival – Venice Days
Frankie is dying. Irene hasn’t forgiven him. And they are racing against time to find their way home…
Bjork’s Voltaic: The Volta Tour Live in Paris and Reykjavik
Voltaic: The Volta tour Live in Paris and Reykjavik is a remarkable, multi-media document of Björk’s visually dazzling Volta tour.
Christmas on Mars: A Fantastical Film Freakout Featuring the Flaming Lips
The Legendary Science Fiction Film
From “The greatest U.S. band today” (The Guardian)
It’s Christmastime, and the colonization of Mars is underway. However, when an oxygen generator and a gravity control pod malfunction, Major Syrtis (the Flaming Lips’ Steven Drozd) and his team (including the Lips’ Michael Ivins) fear the worst.
I Can See You and The Viewer
“Graham Reznick arrives with a bang…I Can See You heralds a splendid new filmmaker with one eye on genre mechanics, one eye on avant-garde conceits and a third eye for transcendental weirdness.”
- Nathan Lee, New York Times
